after unleashing the enigmatic middle eastern funk bonanza the nile files earlier this year the fossils crew return to western shores with a new ep from uv & nen , revealing long forgotten newly interpreted disco funk nuggets that are bound to become classics in their own right. with newly recorded synths, vocals and nasty bass-lines thrown in the mix, the bump s anthemic qualities are evident from the minute the chorus kicks in and will most likely stick in your head and keep you humming for days... trust us - this bad boy has been tested on dancefloors from new york to tel aviv to london s boiler room until finally finding its way to the pressing plant. love makin is a horny (no horns here), psychedelic disco affair, seasoned with sexy moans lifted by abnormal synth activities and followed by beatcoin , a steady slow stomper that will get booties shaken & shaking across the dance floor. as with the previous fossils release, these are all killers and true crate essentials for the seasoned djs.

the debut album from atcq, originally released in 1990, back on double 12 inch.

a complex web – the story of dive position and the shining path ... began in 1982 when peter miller (aka dr. william s ray – vocals, tapes, guitar) met andrew millar (aka maurice spectograph the nose-y pieman – program execution) in gold coast, australia. while sharing a similar taste in music, they decided to form a band, so dive position was born. equipped with a korg synthesiser and tascam 4-track recorder, they -wanted to have the sound of kraftwerk, the groove of can, and the menace of throbbing gristle-, ending up with -a cross of suicide and the residents-, as peter recalls. in a local record shop they met stig andre leonardson (aka vincent blackshadow), who joined the duo on percussion and drum machine programming. their motto was -now is then-. dive position then became the fatal charm around 1984, and the fatal charm became the shining path who eventually released their only album -basic training manual- in an edition of only 250 copies, most probably in 1986. the band then started to drift apart, and shortly after andrew sadly passed away – this compilation -now is then- comprised of previously unreleased dive position and the shining path material is dedicated to his memory.

after a two year hiatus, kiani returns to his far out systems alias for this ep, his first offering for a label outside of his own tanzbar records.

recorded live in central park, new york city, september 19, 1981. pressing on 180 gram double vinyl, housed in a gatefold sleeve.

after more than 1 million album sold around the world, jay-jay johanson presents his 11th album.

across the ocean to canadian cousins. after persian’s unifying call to love, mysticisms rolls to 002. vertico inc comes leftfield and correct. ritual. objects. preen. click. pop. shuffle. bass. zebra skips, blunted grunts, xdancer enhances, water margin twists. sound system. music. non. stop. if you seek beyond the ordinary moral, the discovery will be in you. find the mystery.

(new 2017 masters) after the widespread success of the first minimal vision compilation on the resurgent vibraphone recordings, the true underground sound of rome return with a second volume that takes in tracks made over a 23 year period. what comes across is how consistent the sound is, whenever an individual jam was made. the same heavy-lidded melodics and easy-funking rhythm sections prevail across all nine cuts here, at times hitting the uplifting pace of vertigo or heading into the meditative pastures of sea bird, but always maintaining that quintessential vibraphone feeling. the diggers will be happy to snag the reissued tracks as well as discovering completely fresh material from rome s premier deep house institution.

at the third new interplanetary melodies astral journey stopover, it was mandatory to catch an italian project deeply inspired by the sun ra visionary realm, expressing contemporary trials of hybridising jazz with artful electronica. so ra toth and the brigantes orchestra landed on vinyl grooves for the label, after having previously appeared on the likes of mathematics and berceuse heroique. behind the sound, we find the elusive and unpredictable genius of the well-respected producer marcello napoletano.
nim received the distorted sound signal from napoletano taken over by the egyptian deity born from the lips of ra. who knows if those noises were coming from a parallel dimension, outer space, or some otherworldly sphere...? submerged in dark bottom waters, the stormy waves of the acid sea are made of convulsive afro-flavoured percussion with sharp synths looming out like the ivories of some freakish abyssal creatures.

after quietly dropping 2 quality 12”s on the limehouse based hothouse akute back in 2015 and 2016, dempa is back with a four track ep that remains faithful to his particular brand of deeply twisted beat-smithery. trusted into the hands of little beat different, there was no way these ruff and ready dance floor ready demos were going to slip away.
these four tracks delve deep into techno territory. built for the dancefloor and dancers who possess a somewhat acquired taste. both sides of the record are perfectly balanced. the first is quicker in tempo, with the second one focusing on the more psychedelic side of things. dempa cooks with the finest ingredients and naturally the results are full of the right flavours.

the latest release on guy gerber’s successful label rumors is a remix ep of the dying seconds’ song ‘mora minn’. guy gerber himself turns in a dub remix, whilst acid mondays and elie nissan & jenia tarsol’s tales feature on the b side. guy’s remix see the acclaimed dj and producer turning the starting point into a wholly new and original sounding release. the dub mix puts guy’s outstanding production into the spotlight. subtle yet intricate, guy’s take on the record pulls together echoing piano chords, a delicate guitar line and emotive, building strings over a gently propulsive bassline. it’ll be familiar to those who have frequented guy’s famous rumors events series this season, with guy’s road testing of the release prompting many fans to ask what this new, distinctively gerber-stamped track could be. meanwhile, rumors label and events mainstays acid mondays take the track into deeper and darker territory, with a faster paced beat and sub-bass flourishes offsetting trippy vocal samples. two fellow tel aviv talents, eli nissan and jenia tarsol, round off the ep with a rework that matches more of the original’s drums, vocals ethereal piano line with amplified percussion and a dancefloor ready bassline. the ep drops towards middle of a busy season for the label and events series, rumors ibiza has become one of the busiest and most talked about daytime events on the island, with international parties in the likes of la, mykonos, sardinia and, most notably, a london street party selling out within hours. to accommodate his ever-expanding fanbase, guy will be playing a landmark headline show at london’s historic roundhouse on the day after this release.

steffi occupies a unique space in the realm of contemporary electronic music. although she s a world renowned dj, steffi s musical interests reach far beyond the dancefloor, and it s her work as a producer that has established an impressive, hard-won legacy. soon after moving to berlin in 2007, steffi joined ostgut, becoming a resident at panorama bar and releasing on the club s label. to date she s released five albums, including two solo for ostgut ton, a co-production with virginia, another with analogue cops as third side and a collaboration as doms & deykers on martyn s 3024 label. her impressive discography features club classics like “ yours feat. virginia” , carefully chosen remixes and appearances on labels including permanent vacation, underground quality and mixes for panorama bar and fabric. she owns and operates four labels: klakson (with dexter), dolly, dolly deluxe and dolly dubs. world of the waking state is steffi s third solo album for ostgut ton and a musical departure for both her and the label. it s also a serious statement of intent. over ten tracks she embarks on entirely new electronic terrain for her productions, marking industrial spaces with superlunary warmth while exercising a refined knowledge of polyphony and arrangement. subdued melodies interact with each other over implied harmonies and microcosmic drum patterns, luring us into a world that is introverted, bewildering and gratifying all at once.

the founders of future nuggets are delivering their debut full lp as delusion men, marking the peak of almost a decade long conspiracy. ion d (utopus) and camil dumitrescu (aka the holy fix) have amassed on this album tracks and bits spreading over many years, raw gems and shiny nuggets resulted from intensive electronica fusions. ion d needs no introduction, contriving as a producer projects like steaua de mare and raze de soare, his oriental knowledge is in full presence on this lp, starting with the eponymous track -stuck on the border-. camil dumitrescu s fresh project the holy fix is already making waves, consacrating him as dub and -technodelia- expert. after the smash ep of delusion men in collaboration with khidja (on p-balans sub-label), this lp comes as another irrefutable proof of bucharest s already mature -partially under the radar- scene of electronic psychedelic hybrids, fittingly represented by future nuggets and p-balans. no fillers just killers, not to be missed!

dark entries is proud to present the deluxe 2xlp reissue of ‘come visit the big bigot’ by severed heads, oone of the longest surviving bands to emerge from the australian post-punk independent music scene. they began in sydney in 1979, incorporating elements of ‘industrial’ noise-generation, tape cutting & looping and electronic sound synthesis. as the project developed song-structures and vocals were employed in a more-or-less recognizable mutant electro pop style. after many line-up changes featuring garry bradbury and psychedelic guitarist simon knuckey, severed heads was the vehicle for composer tom ellard. ‘come visit the big bigot’ was severed heads’ first record to be released commercially simultaneously in australia, north america and europe in 1986. it was a prime period for this industrial dance music and bigot was a respected album that did well from the tour they did with skinny puppy that same year. quite a few people still define the band by this period. ‘come visit the big bigot’ was made on a fostex 16 track recorder in tom’s bedroom, employing the newly acquired akai s612 sampler and roland sh-101 to create most of the drum sounds. the album signaled a new direction, flirting with the dance floor and the pop song. presenting the heads at their most cohesive, while retaining their distinctive musical stamp. tom’s vocals are harmonized, slowed down, sped up, run through fuzz boxes, backwards, drum machine rolls, sampled guitars, horn sections, and voices but with a subversive rather than malevolent intention. tape loops are more subtle and define their own space and texture. like the original australian version of the album, we’ve included a bonus disc featuring three extended remixes by sydney dj robert racic (who produced the edited 7” version of “petrol” we reissued in 2015), plus three b-sides from the ‘twenty deadly diseases’12” and two additional tracks from the same recording sessions.

a year after danger, their debut ep on blank mind, durban-based crew audioboyz join forces with hypermedium to deliver another instalment in the growing chronicles of gqom, the darker deviant that grew out of south-african house and whose shockwave is still resonating across western dance floors.

after releasing records on l.i.e.s. and its offspring russian torrent versions labels, caserta (close to neaples, italy) native domenico crisci quickly rose to prominence among purveyors of timeless techno. a third record on eerie cemented his reputation as a careful engineer of effective, crafty dance floor cuts that comfortably sit next to early works of the genre’s pioneers.
august of 2016 sees domenico’s sonic determination surprisingly rematerializing on silent servant, regis and james ruskin’s jealous god label with a new, strong ep crowning the distinct quality of this limited series.
through such particular path domenico got inspiration to start his own summa cum laude label project, where his most forward thinking works and brand new, surprising talents will have the first chance to get properly published.
domenico himself is inaugurating the label by “the violinist” ep, including 3 peak-time techno tracks anticipating the strongest emotive intensities, carefully finalized by the valuable experience of a mastering engineer like matt colton. to visualize domenico s particular, straightforward sound, we’ll find the kind intervention of the neapolitan artist mariangela levita.

this dirty and groovy slice of house music begins as a vintage quarion production with its funky beat, bubbling sub bass and strings. after a quick build-up, the track introduces a filtered chord sequence that grabs your attention straight away. the chords slowly unfold with subtle new harmonies until the break brings forth an exciting new bassline

devon lyon, born devon bailey, moved to kingston in the 70 s to live in trenchtown with his mum, his sister and his brother named dennis. dennis was working in the new kingston area on a construction site. dennis met a friend who worked at the construction site and that friend was the lead singer from the group the chantells. . dennis told the chantells lead singer that his brother was singing at home like he was singing everyday on construction work site. the chantells lead singer told dennis to bring his brother devon. one day, devon came with his brother devon and they met the three members of the group the chantells. they became friends. devon started to verse with them in the evening and they really like him style.

we hope you are enjoying the summer and vacation is going hand in hand with some lovely festivals right now. even though nobody wants to think about summer coming to an end we are already looking forward to september at least because of one thing: our next record rose11 will be released mid-september. after his last release on rose five years ago our pal m.ono compiled the royal juice cuts no.01 with 4 tracks. we hope you like it!

after a couple of acclamed records likethe recent to france ep from javonntte and earlier the latest kai alce s work to date, sounds of the city s boss is setting sounds of the streets, a fresh imprint dedicated to the rich sounds of the 70s and the 80s, 2 very important decades in the history of the dance music. first reference is wulysse who presents a 3 tracker labelled * hotspot*. a bouncy mix of several assumed references - disco, funk, boogie, house, new wave and yeah, acid!

denton after sunset is the change you get back after spending the first quarter of your life trying to figure out who you are and it s the devil knocking at your door reminding you you can t turn back. include download code.

sound does not usually come from a single source. emotions usually do not come from a single source. the way we perceive is by filtering. within this complex process there are many difficulties to overcome and many discoveries to make. how long is the club inside of you - after you have been inside of him? how do love, soup and beer choices affect your daily life? and what do an island and an airport have in common? by morphing real life situations into musical phantasies mr. tophat tries to find answers to these and many other questions. along the way there is darkness but also fun and hope.

this is a must have record and supplies are extremely limited. long out of print and extremely sought after, david porter’s “i’m afraid the masquerade is over” gets a proper re-issue on 45, but with a special twist. first released in 1972, this groundbreaking masterpiece was mostly overlooked by the masses of that generation. however, twenty plus years later, hip hop producers would revive newfound interests in this cut (and porter’s other works) after sampling bits & pieces of it for some of the most defning songs of the mid 90’s and early 2000’s (who shot ya, duel of the iron mic, it’s over, etc). for this special edition, the original multi-track session was resurrected from the archives, re-polished and re-edited into a brand new mix for your listening pleasure. familiar fans will go emoji crazy once they get a taste of the exclusive new version that boasts new breaks, alternate takes and a louder, fuller instrumental presence among other goodies, creating fresh opportunities for beats and lives mixes. pushing the 9 minute mark, parts 1 & 2 are presented between 2 sides, presenting the all of music in it’s entire glory. original pressings of “i’m afraid the masquerade is over” are not easy to come by. own this collector’s item while you can. “must have” vinyl for dj’s, producers and anyone else on the hunt

ltd pic disc, after time travelling with l’orange on the time astonishing ep (mmg) and delivering a new episode of his -total orgasm- mixtape series, kool keith aka tashan dorrsett is back at work with producer junkaz lou (aka the great priest of dark funk) in order to preach and teach the galaxy about his religion and lead all you lost sheep and freaks into the light of god. -the preacher- is yet another classic scripture by kool keith coming straight from the junkadelic temple.

after you listen to these, you’ll need to put on a new pair... panties001 consists of 3 sexy smooth, yet vibrant r&b bootlegs sure to heat up any dance floor. though each track brings its own unique flavor, there’s an unmistakably familiar vibe that carries throughout the release.

after 17 years break the finnish label hotshot is back with a new release! dark, hypnotic techno by gotshell from colombia. hot! tip!

apollo proudly presents a full release of the stunning debut album released by sw. sw s lush sound design and hypnotic arrangements nestles snugly alongside the classic 90’s apollo releases of biosphere and robert leiner in all their balmy glory. originally issued on vinyl only via sw’s own sued imprint, this apollo re-release represents something of a coup in that it’s the first of the label’s music to ever be presented digitally. as a label, sued has formed a reputation for releasing some of the most vital and sought after contemporary dance-floor vinyl, from both sw and svn, as well as collaborations and comradeship with other analogue obsessed auteurs such as dynamo dreesen (who teams up with svn as dresvn), dj sotofett, dj fett burger, pg sounds and club no-no, aka snorre magnar solberg.

mathematics celebrates more than 20 years with previously unreleased adonis gems “after midnight” & “brothers gonna work it out” featuring the late great daryl pandy from 1987.the after midnight ep is greatly appreciated in these times of oppression & anger.

the next reissue classic on henry street music comes from scott kinchen aka scotti deep. originally released in 1997.

2015 remaster des live-mitschnitt des konzerts am 23. august 1970, live at max s kansas city, an jenem tag, als lou reed die band verließ. neben dem originalalbum von 1972 gibt es auf der disc zusätzliche performances, die ursprünglich aus der expanded edition stammen, die rhino 2004 veröffentlichte, diese (2015er) version war auch bereits in der kürzlich erschienenen re-loaded deluxe box als cd enthalten. dieses jahr jährt sich auch die eröffnung des legendären new yorker clubs zum fünfzigsten mal.
jetzt erstmals auch in dieser form auf doppel-vinyl erhältlich, enthält unter anderem die velvet underground klassiker »sweet jane«, »new age«, »white light / white heat« & »femme fatale«.

after a rollercoaster twenty-five year career as an artist, curator and tastemaker, james lavelle returns with unkle’s fifth studio album: the road part 1.
the road part 1 is a collection of fifteen new unkle tracks inspired following his curation of 2014’s meltdown festival at southbank, their most successful to date.
the road part 1 is a collective creative venture by musicians including london folk-rock artist and poet keaton henson, primal scream’s andrew innes, the duke spirit’s liela moss, long time unkle collaborator mark lanegan, and mercury prize nominee eska.
lavelle also found new friends and collaborators in queens of the stone age drummer jon theodore and beck drummer justin stanley, who make definitive contributions throughout the record.
recorded in london and los angeles’ pink duck studios, the road part 1 is the product of a desire to create something fresh and innovative, that also celebrates the rich history of unkle, and showcases a new wave of talent such as elliott power, mïnk and yseÉ.
double 180 gram black vinyl, housed in a gatefold sleeve.

gary brackley aka g.r.i.t returns to meanwhile afor his second full length vinyl release following on from 2012 s ahighly regarded and asought after as i look to to the sky. the seven new tracks presented here acould easily be described as a great dub techno album by the lazy hack but the sound palette used goes way beyond that, afusing elements from detroit, drone, industrial, and ambient techno which when coupled with his production techniques result ain a sound that is uniquely g.r.i.t atake opening title track difting from the bay which draws on the sounds of detroit with emotive chords and delicate percussion, or principle with deep distorted amodulations. if you want a adance floor cut alook no futher that expansed awhich grooves with driving chords, and asubtle persussive builds, aor for asomething heavier there is -pheonix- awhich would sound quite at home in any techno main room. tracks such piagga and dead faces balance heavy industrial beats and noises with meloncholy chords and pads to produce tracks of immense depth and feeling. and closing the album perfectly is immersion with mournful aambient works-esq achords and melodies, in which you will indeed find yourself drifting from the bay

after the reception of “battle anybody” from luminaries like dj premier (#19 on his best of 2013 picks), dj evil dee, dj eclipse and more, dawhud and ace-one started working on a proper follow up to their emceeing anthem. one track turned into an ep which then quickly turned into a full length project. the project... d&g (david & goliath) - “the scepter & the sword” the concept for the group simply came from dawhud’s name (david in arabic) and ace-one, who was in the midst of fnishing up his “rapmonster” series. those two elements and the sheer chest pounding vibe of their prior track led to the creation of “david & goliath”. epic, biblical, and loaded with imagery that paints what the duo are trying to convey in just a name. produced entirely by dawhud, the duo trade verses over his landscapes to join forces and reign together. from the opening battle cry of “something’s coming” to the closing of their p-p-p-p-p-premier approved track, “the scepter & the sword” is a rap odyssey. assisting the duo on this legendary journey are emcees like masta ace, rock (from heltah skeltah), sadat x, kokane and pacewon alongside longtime friends/emcees joe harvey, jo and otomatik. with a title like “david & goliath”… legends should be involved. something’s coming…

for a quarter of a century, the james taylor quartet have set the standard for the coolest sounds in funky acid jazz. on dozens of mighty albums and at their legendary gigs at home and around the world, they ve quietly becomea byword for distinguished british creativity. live show at ronnie scott s week after release

after the success of their first release, dsc – far reaching/too hard, holding hands is back with their sophomore outing and as before it is taking no prisoners. inspired by a nicolas lutz set as he warmed up fabric for villalobos a couple years back, the furnace has a break beat that will push the subs of any club to the limit. with every build and drop it increases in momentum until you are left with no choice but to throw down on the dance floor with unbridled passion. the furnace may be all about the big beat but it is no one trick pony. the tune has a depth and weirdness to it that will certainly keep you coming back for more… the sorcerer is a collaboration with good friend of dsc’s, guava. it is made up largely of recorded percussion and vocals at dsc’s studio in south london, which gives it a very special swing on the dance floor. the track lulls you into a false sense of security for the first third before finally letting the big freakiness out of the box. this is one for any dj that wants to leave clubbers going nuts and scratching their heads at the same time. both tracks are produced and sculpted for the club. they want big sound systems and dark rooms. close your eyes, hold hands and experience transcendental space flight…

brian eno’s 1977 album back on double vinyl, housed in a gatefold sleeve. high quality half speed mastered at abbey road studios, cut at 45rpm.

“we hope you enjoy listening to our music as much as we enjoy performing it for you!” that’s how tommy mccook used to greet to the audience by at every performance of the skatalites that he hosted. since reforming after an almost 20 year hiatus in 1983, and beginning regular touring as a unit in 1989, they have not stopped thrilling audiences in every corner of the globe. even after 48 years, and various lineup changes as members leave one stage for another, the band continues to perform and record new music in the inimitable jamaican style, like only they can.

the owl returns for 003 after two sell-out opening releases. there is a bit more sample trickery on this release with beefed up drums and smooth chords added to the original material. the opening track being a clever disco-house take . the drums are chunkier and the groove is tight! donny hathaway s little ghetto boy gets more or the straight up edit treatment with all the good parts looped for a dj friendly mix. hustle is a very clever rework with plenty of new parts added to give the original a much needed dance floor boost. rounding the release off with a simple yet effective re-do of fred wesley s classic house party .

limited edition on high quality 180g vinyl with special black and yellow color splatter. included here are 4 demos, a cover, live versions, a radio session and b-sides, all from the >boxer< era.

restive plaggona is the music project of the corfu-based artist dimitris doukas –also producing under matriarchy roots, leftina osha and plaggona-. after releasing a series of cassettes in different labels along 2016 and 2017 –including his own several minor promises- “leaving the body” arrives as an electronic composition of beats and synthesizer bodies disguised as a sense of provocation and mystery. each of the seven pieces offers more than a smattering of interesting textures separated by spans of great decline, but a master class of permutations in-between accompanying sounds, stretching rhythms and viscera-and- violence noises. driven by a deeply expressive narrative, restive plaggona makes a strong statement about his post-industrial vision adding technoid inclinations in a delightful dystopian world.

delroy wilson the original ‘cool operator’ was also known to many as ‘teacher’. a title given to him as he unselfishly taught the up and coming singers including one youth dennis brown, the art and delivery of singing technique. delroy’s rich tone to his voice added a depth to any song that he chose to sing. delroy wilson (b.1948 kingston,jamaica) began his musical career at the school that was coxonne dodd’s studio one label. after a brief stop in 1969,which saw delroy working for producer sonia pottinger’s tip top label. again producing such hits including ‘it hurts’ and ‘put yourself in my place’. the 1970’s saw delroy wilson’s arrival at bunny ’striker ’lee’s door and what would result in a winning formula,scoring hit after hit. it is from this great period in delroy’s career that we have compiled this selection of killer tunes,cut with the drum and bass rhythm kings themselves sly dunbar and robbie shakespeare.such classis as ‘who care’ ,’can i change your mind’,’get ready’,’you must believe me’ and the timeless title track to this collection ‘here comes the heartaches’. an album of great tracks cut with ‘the hitmaker from jamaica’ bunny lee and his team. a match made in heaven….enjoy the set….

nice price deal !!! after a bit of a hiatus pushing red is back in swing. delivering the next release is by german meastro martsman.

nice price deal !!
incl chloe remix !! after two years of absence junesex is back with the first release from their upcoming 2nd album

after a run of successful mixtapes over the last fve years, self provoked released his debut album triangles on october 28, 2016. production has been supplied by la natives nobody, kenny segal, louden, big game huntaz and daddy kev.
hailing from the los angeles county region of san fernando valley, self provoked’s music career has been elevating through his crew on a high note, building on 70.000+ subscribers over his streaming channels and opening up for hip hop legends such as bone thugs ‘n harmony, talib kweli and dilated peoples. triangles is the summation of his endurance and discipline as an mc, running through unique wordplay and imagery over the 43+ minutes of the entire album.
every line of triangles opens up the most honest of windows into self provoked’s thinking process and the beats ride through west coast tinged ?avors of the darkest and brightest sides. the frst track to premiere from triangles was launched this summer, galvanizing his perspective on the realities of society with the nick rodriguez directed music video “supposedly.” bringing in 150.000+ plays in the last few months, “supposedly” was produced by long time working associate of provoked’s, louden.
triangles was recorded, mixed and mastered by low end theory co-founders nobody and daddy kev at the cosmic zoo.

after the success of closer to freedom in 2014, chicago legend dj jes returns to tardis records with the between the lines ep, featuring two lost tracks from his personal archives and a brand new offering. opener æno foolingÆ is reduced to the bare essentials until an elegant snatch of piano and spoken word sample break it down further, when the track kicks back in with a vengeance everyone in the room will know all about it, but it remains subtle enough to work the day after as well. on the flip, æbetween the linesÆ is tougher and dubbier and will do some serious peak-time damage, whilst new track lost is a cut-up banger for the floor and a perfect dj tool. all tracks have been meticulously edited and rearranged by label owners eli verveine and oscar schubaq in order to extend the grooves and maximise dance floor impact.

jad & the sends off the ladyboy (fka jad & the ladyboy) and has a going away party to celebrate. the party starts off with some sad cries (it’s always sad saying goodbye), then the yeah band starts playing to take peoples minds off their sadness, after their afrocentric set the guy who always has the discogs window open and 7 inch adapters in his pockets jumps up and plays a disco dancefloor tool designed to tease but please. now that everyone s warmed up and ready for it, the next dj drops some underground real shit which even gets a nod from the high brow dj squad in the corner. the twelve people there lose their shit. great night had by all.

the 2nd release from i walked by night comes firing out of the southside of glasgow. a young man by the name of the burrell connection has been flying under the radar for a few years now... a perth native / glasgow immigrant has been making music since he was 15, his first release came via west end communications (003) in 2015. since then he has released most recently with craigie knowes on the amazing 2nd annual war child fundraiser along with legowelt, shanti celeste, neville watson and many more. southside was made with a juno 6, yamaha dx21, roland tr8, korg minilogue and twisting samples and recording most tracks in one take with little post editing. this ep oozes raw energy and shows off a delicate deft touch. after debuting at the warehouse project in 2016, the burrell connection will be producing his first live show in 2017.

after agoria and oxia, dino lenny is now entering the sapiens family. founder of frenetica and fine human records, dino lenny starts young as a dj in a small radio in cassino (italy) and after a while he moves to london where soon he starts enjoying successful releases on labels like ellum, innervisions, crosstown rebels, exploited, yoshitoshi, toolroom, suara and many others. dino also gaines notoriety remixing underworld, missy elliot, timbaland and collaborating with everyone from scissor sisters to wutang clan and madonna. in 2015 dino signes to ellum 3 eps in a row its saturday, living in a song & the anthem this is a love song. 2016 sees dino remixing in partnership with seth troxler the magic room out on seth’s label (play it say it) and contemporary on innervisions a certain distance with a great rework from label boss dixon himself. this year correspondant will take part in this exciting journey with a track that dino wrote with fiberroot called suddenly meanwhile his label fine human records continues building nicely with great support. the italian wizard just got remixed by agoria & maceo plex and his original mixes of shoot me to the sky/ this time we take it easy will be out soon on sapiens. exciting electronic days for lenny! tracklisting 1 shoot me to the sky (maceo plex remix) 2 this time we take it easy (vinyl edit) 3 shoot me to the sky (extended mix)

the parels is a duo of jim goodall and eddie ruscha from l.a. this lp is their second release after their self titled tape on lal lal lal. inside the grooves of this record they continue their strange exotica mission through the jungle and towards the mysterious grottos of the mineral kingdom. the trip is listened through a kaleidoscope: small details and miniature symphonies change places and blend together, enchanting scenes morph into others. limited edition of 300. co-release with ikuisuus